While Hammond’s newest works imbue familiar themes of nature, spirituality, and strife, they also evolve from the artist’s ongoing interest in surrealism’s ability to address patriarchal narratives. “I found creative potential in its exploration of the unconscious and the uncanny, and I admired its attempts to liberate social conventions from conformist structures,” Hammond explains in the exhibition text. “I was especially intrigued by women’s involvement in surrealism, and their unique images of sexuality, vulnerability, violence, and rage.”

A feminine figure with billowing texture emerges from an amalgamation of wasp nests, wood, and paper in “Daphne 2,” alluding to the mythological tale while emphasizing the inextricable parallels between feminine plight and the metamorphic characteristics of nature. “Laurel” quite literally depicts the cost of self-advocacy, portraying Daphne’s fate as sprawling tree branches ascend from a pair of feet. Hammond’s ink pieces further draw upon the dissolution of feminine bodies, as inked silhouettes fade into landscapes behind them.

Dreamers Awake is on view at Pamela Salisbury Gallery in Hudson, New York until August 25. Keep an eye on Hammond’s Instagram for more updates and work.