A Shakerbox full of Chairs, 2022, sculpture Shaker box with lens, paper and LED lights,11 x 8 x 5 in.
A Room full of Chairs, 2023, photogravure with surface roll, 10 x 14 in. on 15 x 18 in
The Dark Chamber of St. Jerome, 2023 wooden box with lens, covered in japanese silk, wood and plaster with LED lights, 16 x 13 x 11 in
St. Jerome’s Dark Chamber, 2023, photogravure with surface roll, 11 x 11 in. on 16 x 15 in
Cabinet of Buttons Box, 2023, wooden box with lens covered with japanese silk, buttons, wood, metal and paper and LED lights, 11 x 13 x 9 in
Cabinet of Buttons, 2023, photogravure with surface roll, 11 x 11 in. on 16 x 15 in
Art Encyclopedia Studio, 2023, book, wood, metal with lens and LED light, 11 x 2.50 x 9 in
Portfolio Review, 2023, wood, paper, glass and LED Lights, (site-specific installation)
Portfolio Review, 2023, wood, paper, glass and LED Lights, (site-specific installation)
Portfolio Review, 2023, photogravure on Hahnemuhle White, 16 x 21 in
Lunch Box Studio, 2022, sculpture Lunchbox with lens, paper, paint and LED lights, 10.5 x 5 x 8 in
Gloomy Artists Studio, 2022, photogravure with surface roll, 11 x 11 in. on 16 x 15 in
Open Call, 2023 wood, paper, glass, LED light, (site-specific installation)
Open Call, 2023 wood, paper, glass, LED light, (site-specific installation)
Portal, 2021, photogravure with Gampi chine colle on Hahnemuhle White, 17.50 x 16 in
Ice Museum, 2022, photogravure with surface roll on Hahnemuhle White 21 x 18 in
Sand Museum, 2022, photogravure with surface roll on Hahnemuhle White, 21 x 18 in
Sand Museum, 2022, photogravure on Hahnemuhle White, 7.50 x 8 in
Lothar Osterburg is a German-born, New York-based artist and master printer in intaglio, who works in sculpture, photography, printmaking and video. He is best known for photogravures featuring rough small-scale models of rustic structures, water and air vessels, and imaginary cities, staged in evocative settings and photographed to appear life-size to disorienting, mysterious or whimsical effect. New York Times critic Grace Glueck writes that Osterburg’s rich-toned, retro prints “conjur[e] up monumental phenomena by minimal means”; Judy Pfaff describes his work as thick with film noir–like atmosphere, warmth, reverie, drama and timelessness.
AHA! A HOUSE FOR ARTS
Photogravure in Art: Studio Visit with Lothar Osterburg
Discover the inspiration and techniques behind Lothar Osterburg’s art in this exclusive studio visit. Music composed by Elizabeth Brown. Performed by the Momenta Quartet & Elizabeth Brown on Theremin.