Working with symmetry and a standardized format to reduce variables, I establish borders on all planes. Color activates an apparent void; a reflective surface opens a window into the painting, both mirroring and obscuring the view. Such devices restrict and ultimately re- veal the interior spaces, establishing a fluid subjectivity between the viewer and the work. —Don Voisine
Since 1997, Don Voisine has been a member of American Abstract Artists and served as its President from 2004 to 2012. In 2012 Voisine was elected to the National Acade- my of Design. His work has been reviewed in Art in America, Art News, The New York Times, Hyperallergic, and The Brooklyn Rail. Voisine’s work is included in numerous public and private collections including the Berkeley Art Museum & Pacific Film Ar- chive, Berkeley, CA; Special Collection of the Library, Museum of Modern Art, New York, NY; Corcoran Gallery of Art, Washington, DC; Cincinnati Art Museum,Cincinnati, OH; Peabody Essex Museum, Salem MA; the Portland Museum of Art, Portland, ME; the Missoula Art Museum, Missoula, MT; and the National Academy, New York, NY. This is the artist’s second solo show with Pamela Salisbury Gallery.